Reflecting his interest in geometric abstraction, an early twentieth-century art movement noted for its simple geometry and nonfigurative compositions, Lloyd often utilized an intentionally restricted but defined visual vocabulary of colors, forms, and shapes for his sculptures. Rodogon, however, denotes Lloyd’s experimentation with more complex shapes and multicomponent installations. This sculpture is a prelude to Moussakoo and Veleuro (both on view nearby), and explores the expansiveness of emerging technologies within the visual arts.