Lloyd’s light sculptures are programmed with a control box that contains a motor-driven cylinder with the light sequence, which dictates the pattern for the bulbs to turn off and on. The programming differs from object to object, as Lloyd experimented with the complexities of voltage and circuitry. For Moskee, the programming is distributed evenly throughout its cylinder, creating a uniform pattern, unlike Rodogon (on display nearby), which is programmed to alternate from a few circuits lit for slightly longer times to many circuits lit for only a brief moment.